翻訳と辞書
Words near each other
・ Clifford House
・ Clifford House (Eustis, Florida)
・ Clifford House, Toowoomba
・ Clifford Hugh Dowker
・ Clifford Hume
・ Clifford Hunter
・ Clifford Husbands
・ Clifford Huskilson
・ Clifford Berry
・ Clifford Bias
・ Clifford Birdinground
・ Clifford Blais
・ Clifford Bowman
・ Clifford Brodie Frith
・ Clifford Brooks
Clifford Brown
・ Clifford Brown & Max Roach
・ Clifford Brown (scrutineer)
・ Clifford Brown All Stars
・ Clifford Brown and Max Roach at Basin Street
・ Clifford Brown Jazz Festival
・ Clifford Brown with Strings
・ Clifford bundle
・ Clifford Burton
・ Clifford Burton (cricketer)
・ Clifford C. Furnas
・ Clifford C. Hastings
・ Clifford C. Ireland
・ Clifford C. Wendehack
・ Clifford Campbell


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Clifford Brown : ウィキペディア英語版
Clifford Brown

Clifford Brown (October 30, 1930 – June 26, 1956), aka "Brownie", was an American jazz trumpeter. He died at the age of 25 in a car accident,〔(allmusic Biography )〕 leaving behind only four years' worth of recordings. Nonetheless, he had a considerable influence on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, and Freddie Hubbard. He was also a composer of note: two of his compositions, "Joy Spring"〔(【引用サイトリンク】title=Jazz Standards Songs and Instrumentals (Joy Spring) )〕 and "Daahoud",〔(【引用サイトリンク】title=Jazz Standards Songs and Instrumentals (Daahoud) )〕 have become jazz standards.
Brown won the ''Down Beat'' critics' poll for the "New Star of the Year" in 1954; he was inducted into the ''Down Beat'' "Jazz Hall of Fame" in 1972 in the critics' poll.〔
==Biography==
Brown was born into a musical family in a progressive East-Side neighborhood of Wilmington, Delaware. His father organized his four youngest sons, including Brown, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, upon entering senior high, his father bought him his own trumpet and provided him with private lessons. As a junior in high school, he received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized." He even began making trips to Philadelphia. Brown took pride in his neighborhood and earned a good education from Howard High.
Brown briefly attended Delaware State University as a math major, before he switched to Maryland State College, which was a more prosperous musical environment. As Nick Catalano points out, Brown's trips to Philadelphia grew in frequency after he graduated from high school and entered Delaware State University; it could be said that, although his dorm was in Dover, his classroom was in Philadelphia. Brown played in the fourteen-piece, jazz-oriented, Maryland State Band. In June 1950, he was seriously injured in a car accident after a successful gig. During his year-long hospitalization, Dizzy Gillespie visited the younger trumpeter and pushed him to pursue his musical career. Brown's injuries limited him to the piano for months; he never fully recovered and would routinely dislocate his shoulder for the rest of his life.〔 Brown moved into playing music professionally, where he quickly became one of the most highly regarded trumpeters in jazz.〔
Brown was influenced and encouraged by Fats Navarro,〔 sharing Navarro's virtuosic technique and brilliance of invention. His sound was warm and round, and notably consistent across the full range of the instrument. He could articulate every note, even at very fast tempos which seemed to present no difficulty to him; this served to enhance the impression of his speed of execution. His sense of harmony was highly developed, enabling him to deliver bold statements through complex harmonic progressions (chord changes), and embodying the linear, "algebraic" terms of bebop harmony. In addition to his up-tempo prowess, he could express himself deeply in a ballad performance.
His first recordings were with R&B bandleader Chris Powell,〔 following which he performed with Tadd Dameron, J. J. Johnson, Lionel Hampton, and Art Blakey before forming his own group with Max Roach. The Clifford Brown & Max Roach Quintet was a high-water mark of the hard bop style, with all the members of the group except for bassist George Morrow contributing original songs. Brown's trumpet was originally partnered with Harold Land's tenor saxophone. After Land left in 1955 in order to spend more time with his wife, Sonny Rollins joined and remained a member of the group for the rest of its existence. In their hands the bebop vernacular reached a peak of inventiveness.〔
The clean-living Brown escaped the influence of heroin on the jazz world, a model established by Charlie Parker. Brown stayed away from drugs and was not fond of alcohol.〔 Rollins, who was recovering from a heroin addiction, said that "Clifford was a profound influence on my personal life. He showed me that it was possible to live a good, clean life and still be a good jazz musician."
In June 1956, Brown and Richie Powell embarked on a drive to Chicago for their next appearance. Powell's wife Nancy was at the wheel so that Clifford and Richie could sleep. While driving at night in the rain on the Pennsylvania Turnpike, west of Bedford, she must have lost control of the car which went off the road. All three were killed in the resulting crash. Brown is buried in Mt. Zion Cemetery, in Wilmington, Delaware.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Clifford Brown」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.